In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_9gm3ll8jmttmc3w4bmnmcurldl8

Guardians of the Galaxy

In many respects, “Guardians,” directed and co-written by indie wit James Gunn, and starring buffed-up former schlub Chris Pratt and Really Big Sci-Fi Blockbuster vet…

Thumb_myhhyqdnplpywpihk5btjuq2kxk

Finding Fela

Alex Gibney's "Finding Fela," about the legendary African pop star and political activist, feels like the rough draft of a very good movie.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Life Itself Archives
Other Articles
Blog Archives
Other Articles
Channel Archives

Reviews

Strictly Ballroom

  |  

The plot of "Strictly Ballroom" is as old as the hills, but the characters in the movie seem to come from another planet. Surely nobody in Australia dresses like this, talks like this, takes ballroom dancing as seriously as this? They do? The true weirdness of the movie comes when we begin to realize the director didn't make everything up; only real life could possibly have inspired a world this bizarre.

The movie, which crosses Astaire and Rodgers with Mickey and Judy and adds a dash of Spinal Tap, is a comedy posing as a docudrama about competitive ballroom dancing in Australia. Everyone in the movie takes the sport, or art, with deadly seriousness, and their world revolves around the Pan-Pacific Grand Prix Amateur Championships (which, despite its grand name, seems to be a local event). Like synchronized swimming (the most hilarious event in Olympics history), competitive ballroom dancing is essentially lighthearted fun spoiled by lead-footed rules.

The film's hero is Scott (Paul Mercurio), a pleasant young man with a mad light in his eyes, who, according to the pseudodocumentary that opens the film, was born to win the Pan-Pacific. But then he jeopardizes his chances by recklessly ignoring the rules, and forcing his partner to join him in a dance routine that was (gasp!) spontaneous and improvised.

His partner is enraged, and leaves him. His mother, a former championship dancer, is beside herself. The estimable Barry Fife (Bill Hunter), the autocratic czar of ballroom contests, is deeply offended. Only the good-hearted Fran (Tara Morice) believes in him, and offers to become his partner. This is despite her lack of experience, her general ungainliness, and her homely appearance.

Familiar with the great tradition of come-from-behind movies, however, we somehow suspect that if she ever takes off those glasses, and does something with her hair . . .

"Strictly Ballroom" was directed and co-written by Baz Luhrmann, who, according to the movie's press materials, has been fascinated with the insular world of Australian competitive ballroom dancing since he was a youth. The story, by Luhrmann and various collaborators, was first staged as an amateur production 10 years ago, and has been through many incarnations leading up to this film, which is so tightly packed with characters and situations that it seems, in its own way, as obsessed as the dancers themselves.

Luhrmann, like many first-time directors, is intoxicated with the possibilities of the camera. He uses too many wide-angle shots, in which the characters look like blowfish mugging for the lens, and too many story lines, until we worry we may have lost track of something, but what works is an exuberance that cannot be faked.

As Scott and Fran prepare for the Pan-Pacifics, as Barry Fife struggles to retain his stranglehold on competitive dancing, as Scott discovers that his meek and silent father was once a Pan-Pacific contender, the movie hurtles toward a conclusion sanctified by "Saturday Night Fever" and so many other movies we could hold a trivia contest just by naming them.

What's best about the movie is the sense of madness and mania running just beneath its surface. In one sense, the characters care about nothing but ballroom dancing. They eat, drink and sleep it, and talk of nothing else. Their costumes alone are a tip-off that they've had no contact with the real world for years. Yet in another sense, ballroom dancing is simply the strategy they use to hold the world at bay. They are profoundly frightened of change, and have created an insular little world, with rigid rules and traditions; here they can be in control, as the larger world goes haywire.

Scott's attempt to introduce anarchy - and new dance steps - into their tiny enclave is all the funnier because he, too, cares about nothing but dancing. He doesn't even want to be a rebel. But it's in his blood.

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Comic-Con 2014: Star Trek Kickstarter Film "Prelude to Axanar"

A report from SDCC on the Kickstarter "Star Trek" film, "Prelude to Axanar."

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

The greatest films of all time

I am faced once again with the task of voting in Sight & Sound magazi...

Reveal Comments
comments powered by Disqus