In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_aprsjzadl6cggwjedxexw7kfnbc

Transcendence

"Transcendence" is a serious science fiction movie filled with big ideas and powerful images, but it never quite coheres, and the end is a copout.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives

Reviews

Pendulum

  |  

I guess "Pendulum" qualifies as the first lawnorder movie; a vicious killer-rapist is sprung on a technicality by the Supreme Court, and then we get a 90-minute sermon against coddling criminals. "For years," sighs the kindly police chief (or was it the kindly civil rights lawyer?), "private citizens have been deprived of their rights, But now I'm afraid the pendulum has swung too far the other way."

"Pendulum," alas, doesn't swing at all. If you really analyze it, it's a fascist movie, defending strong authority figures against citizens' rights. But why analyze it? It's so badly written and indifferently directed that it degrades its subject; a few more movies like this could put lawnorder out of business for good.

The story involves a cop (George Peppard) who frets while a psychopathic killer (Robert F. Lyons) beats the rap. Then we get lots of speeches by the cop and the chief about lawnorder, and some weak rejoinders by the liberal lawyer (Richard Kiley). But then Peppard goes out of town, and while he's gone somebody murders his wife and her lover in bed.

He's the prime suspect, naturally, since the movie has already awkwardly planted a lot of clues. Example: Peppard expresses concern that the maid's stool will slip while she washes the windows; next day the cops find Peppard's footprints -- you guessed it -- under the window where the killer entered. Gangbusters!).

Peppard hires the same liberal attorney to defend him. The attorney's name is Woodrow Wilson King, a coincidence that didn't escape me. The cops chalk a four-color map on the blackboard and decide Peppard did it -- even though a car stolen a block from Peppard's home later turns up abandoned in the Pennsylvania home town of the vicious killer-rapist. Are you keeping this straight?

Well, Peppard the cop was against the wily tricks of the glib liberal lawyer, but Peppard the suspect is only too happy to have the lawyer defend him. Right? Wrong! Peppard doesn't trust the law, thinks he's being framed, escapes and solves the case himself. There's a dramatic struggle with the killer; Peppard is stabbed with a bread knife, sustaining a curious wound that crawls up and down his arm in various shots before finally establishing itself in his back.

The movie is written ineptly, and the audience giggled at a lot of awkward dialog. Not so amusing was the characterization of the Negro maid; other than that stereotyped maid who still inhabits Tom and Jerry cartoons, she's the first laws-a-mercy black maid in years.

George Peppard, a better actor than his recent roles indicate, is competent. Jean Seberg is transparent and lifeless. Only Robert F. Lyons, as the killer, stands out. His face and manner bring moments of tension into an otherwise dreary exercise.

Popular Blog Posts

Hashtag Activism and the #CancelColbert campaign

The recent #CancelColbert campaign on Twitter raises all kinds of issues about racism, but also about hashtag activism.

For the love of it: notes on the decline of Entertainment Weekly, the firing of Owen Gleiberman, and the ongoing end of an era

Owen Gleiberman's sacking as lead film critic of Entertainment Weekly — part of a ritual bloodletting of staffers at ...

Able-Bodied Actors and Disability Drag: Why Disabled Roles are Only for Disabled Performers

Scott Jordan Harris argues that disabled characters should not be played by able-bodied actors.

Reveal Comments
comments powered by Disqus