A frustratingly not-terrible action thriller.
It's not the story but the style and the ideas that make Tolstoy's "Anna Karenina'' a great novel and not a soap opera. There's no shortage of stories about bored rich women who leave their older husbands and take up with playboys. This new screen version of the novel makes that clear by focusing on the story, which without Tolstoy's wisdom, is a grim and melodramatic affair. Here is a woman of intoxicating beauty and deep passion, and she becomes so morose and tiresome that by the end, we'd just as soon she throw herself under a train, and are not much cheered when she obliges.
The film has been shot on location in Russia; we see St. Petersburg exteriors, country estates and opulent Czarist palaces whose corridors recede to infinity. It all looks wonderful, but the characters, with one exception, are clunks who seem awed to be in the screen adaptation of a Russian classic. The exception is Alexei Karenin, Anna's husband, who is played by James Fox with such a weary bitterness that I found myself caring for him even when he was being cruel to poor Anna.
The story: Anna (Sophie Marceau) and her husband live on a country estate, where their marriage is a dry affair. She goes to the city to counsel her rakish brother Stiva (Danny Huston), who is treating his wife badly. She meets a slickster named Count Vronsky (Sean Bean), who has a mistress named Kitty (Mia Kirshner), but he drops her the moment he sees Anna. He dances with her, she is intoxicated by his boldness, she leaves by train, and he stops the train in the middle of the night to say he must have her, etc. It is not a good sign that while he declares his love, we are more concerned about how his horses could have possibly overtaken the train.
Back in the country, Vronsky pursues his ideal, and Anna succumbs, after a tiny little struggle. Karenin observes what is happening, especially during a steeplechase when Vronsky's horse falls and Anna shrieks with concern that appears unseemly in another man's wife. Soon Anna is pregnant by Vronsky. Karenin, after trying to force himself on her, offers her a deal: If she stays with him and behaves herself, she can keep the child. Otherwise, she gets Vronsky, but not the child.