Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
The reason why “Hotel Transylvania 2” exists is a simple one. The original 2012 animated comedy about a resort that caters to famous monsters managed to draw $358,375,603 in worldwide box-office blood.
Though I'm a longtime supporter of animated features, the recent need to churn out follow-ups to every cartoon hit only demeans a genre that thrives on imaginations, and is also aimed at impressionable children. Children should be taught to want better, not just more of the same in lesser form. Yes, the “Toy Story” series is an exception. But why the need for “Cars 2” except to sell more tie-in merchandise?
This time out, Adam Sandler co-writes with returning joke meister Robert Smigel. That Smigel sired Triumph, the Insult Comic Dog pretty much earns him a lifetime pass from me, even if this subpar sequel barely comes close to being as amusing as any run-of-the-mill “Munsters” TV episode. For Sandler, however, this is not-so-funny business as usual.
So what is the plot, you might be frightened to ask? Dracula’s daughter Mavis (Selena Gomez) weds her human beau Jonathan (Andy Samberg) and the hotel opens its doors to mere mortals for the first time in the form of her in-laws (Megan Mullally and Nick Offerman, pocketing a paycheck). She gives birth to a son, Dennis, who sports a chrysanthemum bush of red curls. Or, as meddlesome Papa Drac likes to call him, “Denisovich.”