xXx: Return of Xander Cage
The last forty minutes of the movie do come together in a pretty diverting way.
Used to be that when teen-age singing idols made a movie, you knew what to expect. There was Pat Boone in his white loafers, singing "Oh Bernadine" to a beat-up 1949 convertible, and Elvis Presley with his ducktails, and Bill Haley playing the saxophone while swinging from a trapeze.
The idea was that you went to these movies to see Pat Boone or Elvis Presley or Bill Haley. And the camera work consisted of shooting the stars from below, above, sideways and upside down while they sang all those songs.
But no longer. Since Richard Lester directed the Beatles in "A Hard Day's Night," the whole genre has undergone a revolution. The camera is no longer permitted to simply record a performance; it must interpret it. Nor is the plot tied to the necessary songs. Lester introduced the idea of screen action independent of the sound track, and we saw the Beatles leave a studio in mid-note, run down that memorable fire escape and gambol in a field, all while the song continued.
"Good Times," starring Sonny and Cher, is the first non-Beatle movie to adopt this approach. It is not another "Hard Day's Night," in part because Sonny and Cher are not the Beatles, and in great part because the director, Chicagoan William Friedkin, is not Richard Lester.