In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_mv5bmtq1mze4mte3of5bml5banbnxkftztgwotcyndm3nte_._v1__sx1216_sy640_

Amy

Sometimes, it feels as if we are eavesdropping on day-to-day conversations rather than just hearing the usual litany of platitudes and regrets.

Thumb_large_nxcfdsanskih09xq74fjnyhw4g0

Stray Dog

"Stray Dog" largely succeeds because Granik's technique complements her subject. Both he and the film are modest in their goals and cherish the value of…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Reviews

Good Times

  |  

Used to be that when teen-age singing idols made a movie, you knew what to expect. There was Pat Boone in his white loafers, singing "Oh Bernadine" to a beat-up 1949 convertible, and Elvis Presley with his ducktails, and Bill Haley playing the saxophone while swinging from a trapeze.

The idea was that you went to these movies to see Pat Boone or Elvis Presley or Bill Haley. And the camera work consisted of shooting the stars from below, above, sideways and upside down while they sang all those songs.

But no longer. Since Richard Lester directed the Beatles in "A Hard Day's Night," the whole genre has undergone a revolution. The camera is no longer permitted to simply record a performance; it must interpret it. Nor is the plot tied to the necessary songs. Lester introduced the idea of screen action independent of the sound track, and we saw the Beatles leave a studio in mid-note, run down that memorable fire escape and gambol in a field, all while the song continued.

"Good Times," starring Sonny and Cher, is the first non-Beatle movie to adopt this approach. It is not another "Hard Day's Night," in part because Sonny and Cher are not the Beatles, and in great part because the director, Chicagoan William Friedkin, is not Richard Lester.

Still, "Good Times" has its moments. Sonny and Cher are asked to make a movie, and look for a story. Their search takes the form of spoofs on established film cliches: The Bogart-type detective movie (with camera angles lifted from "The Maltese Falcon"), the Western, the jungle tale.

Friedkin is inventive with his camera, and Sonny and Cher, although they lack the Beatles' spontaneity, work the veins of comedy and pathos with some success. There are moments that sparkle. And Cher, in a solo, reveals a surprisingly gifted singing voice.

"Good Times" is no classic, but in ambition and achievement it's better than most movies of its type. Adults may find it diverting. and the kids, I suppose, will go because they want to see Sonny and Cher singing all those songs.

Popular Blog Posts

Why Can't Sad Be Fat?

A rebuttal to Joni Edelman's piece on "Inside Out."

Sex Symbol Without Auteur: The Strange Case of the Gina Lollobrigida Filmography

Three films starring Gina Lollobrigida have been released on Blu-ray; Glenn Kenny looks at them and her entire career.

“Scream” and “Zoo” Seek to Raise the Summer TV Body Count

MTV's Scream and CBS's Zoo premiere tonight. One is worth your time. Which one?

James Horner's Underrated Scores

An essay on the underrated scores of late composer James Horner.

Reveal Comments
comments powered by Disqus