The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
We are all voyeurs, although some people fondly describe themselves as "people watchers." Going to the movies is, at some level, pure voyeurism -- if they involve people, that is. Transformers don't count. I admire films that consist only or in large part of watching. "Vertigo" is the classic example, and "The Lives of Others" was voyeurism by eavesdropping.
"Gigante," from Uruguay, is a film that has little meaningful dialogue; just incidental comments along the stream of a boring life. Jara (Horacio Camandule) is a big, strong, lonely man, who works the night shift in a huge supermarket in Montevideo, watching security monitors. He lives alone, and his social life is restricted to messing around with his young nephew. In the company lunchroom, he doesn't chat. Nor does he drink, smoke, watch television or much of anything else. He sometimes works as a nightclub bouncer.
One night on his video monitors, Jara notices Julia (Leonor Svarcas). She's a member of the corps of cleaning women, mopping the aisles. He observes her shoplifting something. He doesn't care. Clicking on his cameras, he's able to follow her around the store. Almost immediately, he starts following her all around in her life.
Since Julia is heard to say nothing until the very end of the film, all depends on the performance of Camandule. Since he says so little, it depends in turn on his presence, his aura. He is tall, broad, overweight, taciturn. He isn't the "gentle giant" type. However, because he can (as we see) efficiently wallop anyone, he has no need to act intimidating. He just sits or walks around, absorbed in his thoughts.