American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
Horror movies have a great appeal for unknown filmmakers, for a lot of reasons: They’re cheap to make, they don’t need stars, and they can be experimental or satirical and the audience won’t complain too much. (Indeed, many members of the audience at some exploitation horror movies seem only vaguely aware that there is a screen before their eyes.) Sometimes, given the almost complete freedom of their genre, horror directors make little gems. The problem is that they’re hardly ever noticed.
That is the dilemma of “Frightmare,” a horror movie now opening here and there around the country. It’s a stylish little thriller with a sense of humor and a good command of horror clichés, and compared to most of the movies it will be sharing double bills with, it’s a masterpiece. It’s not going to be an enormous hit, and, indeed, I don’t quite think it’s worth a trip to the theater and a night of your life to experience. But it’s fun.
The movie centers around the life and death adventures of an old horror movie star named Conrad Ragzoff, who is, I think, supposed to remind us of Lon Chaney, Boris Karloff and Peter Cushing (he is played by a veteran actor named Ferdinand Mayne, who must have spent the last 20 years going to Christopher Lee movies and muttering, “I could do that!”). Ragzoff dies, sort of, during a tribute to his work, and that’s the beginning of a wonderful second career for him.
He is buried. He has taped his own eulogy, to be delivered from beyond the grave (shades of Walt Disney). But then his body is stolen by an organization of horror film fans, his widow vows revenge, and Ragzoff’s spirit is contacted beyond the grave by a weirdo psychic. He vows revenge on those who would dare to tamper with the eternal peace of the king of sleaze.
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