Office Christmas Party
Another reminder that allowing your cast to madly improvise instead of actually providing a coherent script with a scintilla of inherent logic often leads to…
"Chaos" is ugly, nihilistic, and cruel -- a film I regret having seen. I urge you to avoid it. Don't make the mistake of thinking it's "only" a horror film, or a slasher film. It is an exercise in heartless cruelty and it ends with careless brutality. The movie denies not only the value of life, but the possibility of hope.
The movie premiered in late July at Flashback Weekend, a Chicago convention devoted to horror and exploitation films. As I write, it remains unreviewed in Variety, unlisted on RottenTomatoes.com. As an unabashed retread of "Last House on the Left" (itself by Bergman's "The Virgin Spring"), it may develop a certain notoriety, but you don't judge a book by its cover or a remake by its inspiration.
A few Web writers have seen it, and try to deal with their feelings: "What is inflicted upon these women is degrading, humiliating, and terrible on every level" -- Capone, Ain't It Cool News; "Disgusting, shocking and laced with humiliation, nudity, profanity and limit-shoving tastelessness" -- John Gray, Pitofhorror.com; "What's the point of this s--t anyway?" -- Ed Gonzalez, slantmagazine.com.
But Capone finds the film "highly effective" if "painful and difficult to watch." And Gray looks on the bright side: DeFalco "manages to shock and disturb as well as give fans a glimpse of hope that some people are still trying to make good, sleazy, exploitation films." Gonzalez finds no redeeming features, adding "DeFalco directs the whole thing with all the finesse of someone who has been hit on the head one too many times (is this a good time to say he was a wrestler?)."