In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_6wh5wlqfopjzco9yww3bztgtxeb

Welcome to Me

Since moving onto the big screen, however, Kristen Wiig has added a nuanced dramatic edge to her skill set that finds her digging deeper inside…

Thumb_ride

Ride

Helen Hunt directs herself in this story of a brittle New York book editor who begins healing old wounds by learning how to surf.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives
Other Articles
Far Flunger Archives
Other Articles
Channel Archives

Reviews

Last House on the Left

  |  

"Last House on the Left" is a tough, bitter little sleeper of a movie that's about four times as good as you'd expect. There is a moment of such sheer and unexpected terror that it beats anything in the heart-in-the-mouth line since Alan Arkin jumped out of the darkness at Audrey Hepburn in "Wait Until Dark."

I don't want to give the impression, however, that this is simply a good horror movie. It's horrifying, all right, but in ways that have nothing to do with the supernatural. It's the story of two suburban girls who go into the city for a rock concert, are kidnapped by a gang of sadistic escaped convicts and their sluttish girlfriend, and are raped and murdered. Then, in a coincidence even the killers find extreme, the gang ends up spending the night at the home of one of the girls' parents.

The parents accidentally find out the identities of the killers, because of a stolen locket and some blood-stained clothing in their baggage. Enraged, the father takes on the gang single-handedly and murders them. Does any of this sound familiar? Think for a moment. Setting aside the modern details, this is roughly the plot of Ingmar Bergman's "The Virgin Spring."

The story is also based on a true incident, we're told at the beginning of the movie, but I have my doubts; I think the producers may simply be trying one of those "only the names have been changed" capers. What does come through in "Last House on the Left" is a powerful narrative, told so directly and strongly that the audience (mostly in the mood for just another good old exploitation film) was rocked back on its psychic heels.

Wes Craven's direction never lets us out from under almost unbearable dramatic tension (except in some silly scenes involving a couple of dumb cops, who overact and seriously affect the plot's credibility). The acting is unmannered and natural, I guess. There's no posturing. There's a good ear for dialogue and nuance. And there is evil in this movie. Not bloody escapism, or a thrill a minute, but a fully developed sense of the vicious natures of the killers. There is no glory in this violence. And Craven has written in a young member of the gang (again borrowed on Bergman's story) who sees the horror as fully as the victims do. This movie covers the same philosophical territory as Sam Peckinpah's "Straw Dogs" (1971), and is more hard-nosed about it: Sure, a man's home is his castle, but who wants to be left with nothing but a castle and a lifetime memory of horror?

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Thirtieth Anniversary of "A View to a Kill"

An essay on John Glen's 1985 Bond film, "A View to a Kill," in honor of its thirtieth anniversary.

Notes on watching "Aliens" for the first time again, with a bunch of kids

Captain's log: eight fifth graders, one adult, one James Cameron movie.

The Unloved, Part 17: "The Moth Diaries"

Scout Tafoya's video series continues with a look at Mary Harron's "The Moth Diaries".

Reveal Comments
comments powered by Disqus