The Bye Bye Man
The Bye Bye Man is the kind of film that is so boring and bereft of anything of possible interest that it becomes infuriating.
Agnes Browne is an Irish housewife with six sons and a daughter and her husband dead since 10 minutes past 4 this afternoon, giving a piece of her mind to the government clerk who wants to see a certificate before paying out the poor man's death benefits. She doesn't make much money with her fruit and vegetable cart in a street market, but she's got her pride and her friends, and her children all wear matching sweaters to the funeral--even if they match because they all came from the same charity agency.
Agnes (Anjelica Huston) is like the lucky twin of Angela McCourt, the heroine of "Angela's Ashes." Things are grim but not bleak, and at least there's no drunken husband in the picture (one of her youngest is so overcome at the funeral he holds two oranges up to block his eyes). She's best friends with Marion (Marion O'Dwyer), who runs the next cart in the market, and if she's not overly smart, at least she's observant and thoughtful.
Huston might seem like an unlikely actress to play her, and to direct "Agnes Browne," but reflect that her late father, the director John Huston, maintained a country home (almost a castle, really) in Ireland during her childhood, and that she grew up feeling as Irish as American. Her accent can't be faulted, and neither can her touch for detail: not the realistic details of "Angela's Ashes," but the pop fiction details of what's essentially a warmhearted soap opera.
The supporting characters come on screen all but wearing descriptive labels on cords around their necks. Consider Mister Billy, played by Ray Winstone, an actor so good at being mean that two of England's best actors (Tim Roth and Gary Oldman) both cast him as an abusive father in their first movies. Mister Billy is the neighborhood loan shark, a man who hands you the cash and expects you to pay interest on it for the rest of your life.