In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_large_nqau8oyqozqla1fhyl0htrfn4yf

Stray Dogs

Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Stray Dogs

Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.

Other Articles
Blog Archives
Primary_130312165136-14-tv-sidekicks-0312-story-top

Seinfeld at 25: or, You Don't Have to Like Characters as Long as You Find Them Interesting

"Seinfeld," that classic Show about Nothing, debuted 25 years ago this week on NBC, and somehow changed everything. It did through formal audacity (the show changed its pace, speed and emphases many times throughout its run, always staying a step ahead of its audience) but also by showcasing four lead characters and many supporting characters who were not only fundamentally unsympathetic, but demonstrated very little potential for growth, much less redemption. I wrote a piece about the series for New York Magazine, which you can read at full length by clicking here. I wrote:

"For all its baseline technical excellence (every line and transition timed with whip-crack precision), Seinfeld was never content merely to amuse. It seemed to loathe the idea that audiences might get too comfortable with it. David admonished the writing staff that there would be “no hugging, no learning” in the scripts, and there wasn’t. Ever. Seinfeld went out of its way to provoke, baffle, and offend. It was often blasted as showoff-y, cold, even hateful. (When George’s fiancée died from licking toxic envelopes, he seemed to get over it in seconds.) Seinfeld was, to quote a phrase from the Grinch’s theme song, as cuddly as a cactus and as charming as an eel."

I discussed the piece on MSNBC's "Hardball," guest-hosted by Steve Kornacki, last week, with John O'Hurley, who played J. Peterman on the show and is hilarious in life as well. Video is below.

I also appeared on New Hampshire Public Radio's "Word of Mouth." To listen, click here

Popular Blog Posts

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

There's Something About "Blade Runner"

A new look at the role of hero and villain in Ridley Scott's "Blade Runner."

The Unloved, Part Ten: "The Village"

Part ten in Scout Tafoya's The Unloved series tackles "The Village."

The strength of Robin Williams

An appreciation of the actor's perseverance through age 63 despite depression.

Reveal Comments
comments powered by Disqus