The Storms of Jeremy Thomas encourages viewers to broaden their horizons and seek out unknown and possibly uncomfortable work.
A relentlessly clever and visually dense "old" movie that uses the latest technology.
Another virtually conflict-free but very pleasant entry in the series.
Scout Tafoya's video essay series about maligned masterworks looks at Ozu's 1948 film.
The Full Monty goes to Las Vegas.
The Unloved gets to a film by Claudia Weill.
Scott is generally withholding when he's on-camera, which spells doom for a performer who doesn't have what could be called, for lack of a better phrase, a film persona (as Prince did).