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Don't Breathe

Don’t Breathe gets a little less interesting as it proceeds to its inevitable conclusion, but it works so well up to that point that your…

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Southside With You

Southside with You builds its emotional richness by coasting on the charisma of its two leads as they carefully navigate each other’s personality quirks and…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Interview with Meryl Streep

How does an actress go about preparing to play another human being? And what if the other person's friends are standing by to see what you do? Meryl Streep has played realistic characters before, but they were creations of the filmmakers. Her new role is Karen Silkwood, who really lived and breathed and died a controversial death, and whose lover was standing by to tell Streep what he remembered and suspected about her.

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Interview with Jack Nicholson

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Jack Nicholson gets third billing in "Terms of Endearment," the heartwarming and heartbreaking new movie about 30 years in the lives of a mother and her daughter. He's billed after Debra Winger and Shirley MacLaine, just as, 14 years ago, he was billed beneath Peter Fonda and Dennis Hopper in "Easy Rider." The uncanny thing is how Nicholson's third-billed appearances tend to haunt the memory. They're not "supporting roles," they're great and strange and funny characters who bring whole worlds into the movie with them.

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Interview with Mary Steenburgen

Do Mary Steenburgen and Dudley Moore have romantic chemistry in the new movie "Romantic Comedy"? I think they do. Other people think they don't. On the very same day that I was writing about their wonderful chemistry, other critics were writing about how chemistry was lacking between the two of them.

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Interview with Ann-Margret (1983)

The walls of Roger Smith's office are covered with pictures of Ann-Margret. Here she is as a sex kitten, on the cover of Life. There's a cover from Entertainment World, a forgotten show business magazine. All in a row are three recent covers of People. And here are an oil painting of Ann-Margret, and a lot of cartoonist's caricatures, and some framed ads and telegrams and the usual backstage memorabilia. In one corner, almost hidden behind a file cabinet, is Roger Smith's only souvenir of his own career: A framed ad for his stage appearance as a folk singer at the "hungry i" nightclub in San Francisco, in 1964.

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Fred Williamson: "I like the life."

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Fred Williamson sits on the terrace of the Majestic Hotel, his shirt open to the waist, gold chains around his neck, a fine Havana cigar in his hand, preparing to sell his 18th movie at the Cannes Film Festival, and he thinks out loud: "Where are my boys singing doo-wop down on the corner? Where are the boys I started out with at Broadway and l7th in Gary, Ind., singing doo-wop? I wish they could check this out and see that I'm really doing this."

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