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The Circle

A high tech thriller with plenty of tech and not enough thrills.

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Rodney King

This record of Roger Gueneveur Smith's one-man show is a film of provocations.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Great Movie Archives

DeNiro reverses roles in 'Bronx Tale'

Toronto, Canada -- A kid is sitting on his front stoop in the Bronx when two guys get into a fight over a parking space. One pulls out a baseball bat. The other one pulls out a gun and shoots the first guy dead. The kid sits there wide-eyed and sees everything, and the killer notices him, and looks at him, hard, and the kid gets the message: In the neighborhood, nobody is lower than a squealer.

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John Singleton Recites The Poetry of Cinema

John Singleton is one of those rare directors who would just as soon talk about other people's movies as about his own. He was in Chicago to promote his new film, "Poetic Justice," which is a good film and in some ways, a brave one, and he talked about it, all right - and why there are so few films about black women, and why Janet Jackson surprised him in the leading role.

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Saluting a Master Of the Cinema, Yasujiro Ozu

Yasujiro Ozu was a Japanese film director who died 30 years ago. At the time of his death, he was all but unknown except to Japanese audiences--and even there, his popularity was limited. Today, if you polled the world's film critics, asking them who was the most universal and beloved of all directors, Ozu would rank at or near the top of the list, along with Jean Renoir, Orson Welles and Alfred Hitchcock.

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A warm and fuzzy Arnold for the '90s

CANNES, France -- The first time I met Arnold Schwarzenegger was in 1977 at a film festival in Dallas. He was there for the premiere of "Pumping Iron," the documentary that launched his film career and, paradoxically, allowed audiences to relate to him as a person and not just as an assembly of muscles. What I remember is that between the two screenings of the movie, Arnold found a quiet corner backstage and opened his textbooks. He was studying for a college exam.

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The rise of Arnold Schwarzenegger

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CANNES, France -- The first time I met Arnold Schwarzenegger was in 1977 at a film festival in Dallas. He was there for the premiere of "Pumping Iron," the documentary that launched his film career and, paradoxically, allowed audiences to relate to him as a person and not just as an assembly of muscles. What I remember is that between the two screenings of the movie, Arnold found a quiet corner backstage and opened his textbooks. He was studying for a college exam.

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The 'Innocence' of Martin Scorsese

NEW YORK -- The greatest living film director started out as a kid named Marty who I met in 1967 when he was fresh out of New York University. Now he is Martin Scorsese, the director even other directors would place first - after themselves, perhaps. No one has made more or better movies in the past quarter century, and few people have changed less. He still talks with his hands and bounces when he talks, and he uses the street-corner comedian's tactic of giving everything a punchline.

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