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Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

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Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Interview with Peter Hyams

In the beginning it didn't much matter where you made a movie. The motion picture was a gimmick nobody took very seriously, and the vaudeville houses used them to chase out customers between shows. When the customers started to linger, an industry was born.

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Interview with Joy Bang

TORONTO, Canada - Joy Bang told me to meet her at her place, over at the Strip above a boutique, and when I got there she was being towed along the sidewalk by a large dog named Tai, which meant, she said, "dog" in a language I didn't catch.

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Interview with Bengst Forslund

STOCKHOLM, Sweden - The premiere of Jan Troell's "The Emigrants" was held in the Roda Kvarn, a cozy little jewelbox of a theater that was built in 1915, when Swedish silent films were finding an international audience. But Troell's film wasn't merely post-silent; it was post-Bergman, post-sex, post- the image of Swedish films in the 1960s.

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Interview with Melina Mercouri

"Oh, what a funny thing happened this afternoon," Melina Mercouri said, curling her feet beneath her and her voice around me. "A man came to interview me from the newspaper and I said, let me make you feel at home. What can 1 do for you? And he said, Peel me a grape. I peeled a grape and I fed it to him." She smiled wickedly. "A little bit at a time. Now I ask what can I do for you?"

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What's your opinion of the casting, Groucho? "I haven't fished in years"

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HOLLYWOOD -- "Make a reservation at Le Bistro," Groucho Marx said over the telephone. "And make sure you make the reservation. I went there once with some schnook from Life who thought you could walk right in. And for God's sake make sure it's even open on Sunday. If it isn't, make a reservation at the Polo Lounge of the Beverly Hills Hotel. To me it's just a device to get a free lunch. If I mention 'Minnie's Boys,' it will be strictly by accident. And for God's sake don't bring along any gadgets, any of that electronic gear...."

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