In Memoriam 1942 – 2013 “Roger Ebert loved movies.”


The Good Dinosaur

A film that has some promising elements and which often seems as if it is on the verge of evolving into something wonderful but never…


The Danish Girl

The Danish Girl lacks an immediacy and vibrancy, as well as a genuine sense of emotional connection.

Other Reviews
Review Archives

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives

Complete list of Oscar winners

Complete list of winners at the 80th annual Academy Awards, presented Sunday night at the Kodak Theatre in Los Angeles:


Best Motion Picture: "No Country for Old Men."

Lead Actor: Daniel Day-Lewis, "There Will Be Blood."

Lead Actress: Marion Cotillard, "La Vie en Rose."

Supporting Actor: Javier Bardem, "No Country for Old Men."

Supporting Actress: Tilda Swinton, "Michael Clayton."

Director: Joel Coen and Ethan Coen, "No Country for Old Men."

Foreign Language Film: "The Counterfeiters," Austria.

Adapted Screenplay: Joel Coen and Ethan Coen, "No Country for Old Men."

Original Screenplay: Diablo Cody, "Juno."

Animated Feature Film: "Ratatouille."

Art Direction: "Sweeney Todd the Demon Barber of Fleet Street."

Cinematography: "There Will Be Blood."

Sound Mixing: "The Bourne Ultimatum."

Sound Editing: "The Bourne Ultimatum."

Original Score: "Atonement," Dario Marianelli.

Original Song: "Falling Slowly" from "Once," Glen Hansard and Marketa Irglova.

Costume: "Elizabeth: The Golden Age."

Documentary Feature: "Taxi to the Dark Side."

Documentary Short Subject: "Freeheld."

Film Editing: "The Bourne Ultimatum."

Makeup: "La Vie en Rose."

Animated Short Film: "Peter & the Wolf."

Live Action Short Film: "Le Mozart des Pickpockets (‘The Mozart of Pickpockets’)."

Visual Effects: "The Golden Compass."

Popular Blog Posts

Anton Ego and Jesse Eisenberg: some notes on the presumed objectivity of critics

Matt Zoller Seitz reviews and reflects upon Jesse Eisenberg's New Yorker piece about film critics.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Reveal Comments
comments powered by Disqus