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Girlhood

What Céline Sciamma is interested in is "moments." There are many moments that linger in the mind long after the film has ended.

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The Loft

The Loft is a film that seems to have been designed specifically to appear in empty theaters in the dead of January.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Calcutta Film Festival

CALCUTTA, India I have been here at the Calcutta Film Festival for five days without once hearing the word "Miramax." No one has discussed a deal. There has been no speculation about a film's box-office prospects. I have not seen a single star. I have been plunged into a world of passionate debate about film - nonstop talking about theory, politics and art. For the visiting American, dazed and sedated by the weekly mumbo-jumbo about the weekend's top 10, this is like a wake-up plunge into cold water.

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Report from Calcutta

CALCUTTA, India--I have been here at the Calcutta Film Festival for five days without once hearing the word "Miramax." No one has discussed a deal. There has been no speculation about a film's box office prospects. I have not seen a single star. I have been plunged into a world of passionate debate about film--nonstop talking about theory, politics and art. For the visiting American, dazed and sedated by the weekly mumbo-jumbo about the weekend's ten grossers, this is like a wakeup plunge into cold water.

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1999 Calcutta Film Festival

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CALCUTTA, India - I have been here at the Calcutta Film Festival for five days without once hearing the word "Miramax." No one has discussed a deal. There has been no speculation about a film's box office prospects. I have not seen a single star. I have been plunged into a world of passionate debate about film--nonstop talking about theory, politics and art. For the visiting American, dazed and sedated by the weekly mumbo-jumbo about the weekend's ten grossers, this is like a wakeup plunge into cold water.

Continue reading →