In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb l2ks8eeowtm2ei8uypafghjvjrz

Landline

It leaves behind a lingering grace note about family matters that befits any era.

Thumb mv5bmtgyndq4ndm2nl5bml5banbnxkftztgwodi4ndk0mji . v1 sy1000 cr0 0 692 1000 al

Munna Michael

Noisy, silly, and sometimes rather fun. I just wish it weren't such a hot mess.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Chaz's Journal Archives
Other Articles
Blog Archives
Other Articles
Far Flunger Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#58 April 13, 2011

Marie writes: Yarn Bombing. Yarn Storming. Guerilla Knitting. It has many names and all describe a type of graffiti or street art that employs colorful displays of knitted or crocheted cloth rather than paint or chalk. And while yarn installations may last for years, they are considered non-permanent, and unlike graffiti, can be easily removed if necessary. Yarn storming began in the U.S., but it has since spread worldwide. Note: special thanks go to Siri Arnet for telling me about this cool urban movement.

Continue reading →

CIFF: All our capsule reviews

Primary eb20071009filmfestivals0471009001ar

UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.

Continue reading →

Toronto #9: Everybody must get cloned

Primary eb20070913filmfestivals0370913002ar

TORONTO, Ont. -- “The Walker” is another of Paul Schrader’s “man in a room” films, and his best film since “Affliction” (1997). It’s a fascinating character study with as fine a performance as Woody Harrelson has given, and certainly the most unexpected. Schrader defined the films as centering on the image of a man in a room preparing to go out and do something, and then doing it, while remaining focused by his preparation. That would define Schrader’s “American Gigolo” (1980), with Richard Gere in training for his profession as a professional lover of women. And “Light Sleeper” (1992), with Willem Dafoe as a drug dealer who is also a recovering addict.

Continue reading →