The film breathes exhilarating life into its tired premise, thanks to some dazzling action choreography, stylish visuals and–most importantly–a vintage anti-hero performance from Keanu Reeves.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Big stars were out to shine this morning in Cannes, when "The Paperboy" by Lee Daniels premiered in competition, with a cast that includes Matthew McConaughey, Zac Efron, Nicole Kidman, David Oyelowo, John Cusack, and Grammy Award-winning R&B singer Macy Gray. Daniels had a massive hit with his previous film "Precious," which premiered here in 2009 and went on to earn six Oscar nominations with two wins, and countless other awards worldwide.
A director with that kind of success in his recent past has got to have a lot of hopes and fears riding on his next film. Daniels certainly had star power in his corner on "The Paperboy," but the film got a mixed reaction this morning in the Palais, and I'm not sure it's headed for a repeat of the acclaim that "Precious" experienced.
"The Paperboy" is adapted by Pete Dexter and Daniels from Dexter's novel of the same title. The film reportedly takes a few deviations from the source novel (which I haven't read) to result in pretty much a whole new story. There are many shifts of tone, making the film simultaneously a comedy, a mystery/thriller, and a Southern gothic potboiler. It's amusing and frustrating; hilarious and tense; awkward in its construction yet featuring bursts of gripping acting.