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The Man Who Knew Infinity

An account of a remarkable person should strive to be as equally remarkable as its subject, not the timid and tidy boilerplate special of a…

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Ratchet & Clank

At some point, the movie has to rely on the things at which it previously poked fun.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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A portside gallery of thwarted Destiny

"Port of Shadows" begins a revival run at the Music Box on 1/25, and is in the Criterion Collection.

Noir revolves on a shorthand of recognition; a cruel fact expertly utilized by Marcel Carné, when he cast two of the most identifiable of French film stars in his 1938 classic, "Port of Shadows" (Le Quai des Brumes). A pressing fog floods Le Havre in the director's pre-WWII drama, but even in the thickest mists, Jean Gabin and Michel Simon, then catapulted to fame recently in "Pépé le Moko" and "Boudu Saved from Drowning" could never find secrecy from their characters' shame-ridden pasts.

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