In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb_6svpck54r9k0mz9xcfzswrxcin

Winter Sleep

The running time of his new picture Winter Sleep, three hours and change, suggests weight, but at it happens, this movie struck me as both…

Thumb_oax1ohn3ltgrf3vlh5ff28w0yjn

Mr. Turner

Filmmaker Mike Leigh's biography of the landscape painter J.M.W. Turner is what critics call "austere"—which means it's slow and grim and deliberately hard to love—yet…

Other Reviews
Review Archives
Thumb_xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Thumb_jrluxpegcv11ostmz1fqha1bkxq

Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

Other Reviews
Great Movie Archives
Other Articles
Channel Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Haskell Wexler: "See, nothing is 'real.'"

Primary_eb19690810people908100301ar

NEW YORK -- At 47, Haskell Wexler was one of the nation's most successful cameramen. He'd won an Academy Award in 1966 for his work on Mike Nichols' "Who's Afraid of Virginia Woolf?" He had been the cinematographer on films by Elia Kazan ("America, America"), Joseph Strick ("The Savage Eye"), Tony Richardson ("The Loved One") and Norman Jewison ("In the Heat of the Night," "The Thomas Crown Affair"). But he wanted to direct his own movie. And last summer he came to Chicago to do that. The result is "Medium Cool," a movie unlike anything you have seen and possibly unlike anything you want to see. It is likely to be this autumn's most controversial film.

Continue reading →