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American Sniper

American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…

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The Interview

Opportunities at rich satire flatten out into Hangover dude-dope-doodoo jokes, where the premise is that there’s nothing funnier than watching over-privileged grown men act out…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Telluride #4: A cleansing rain of films

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TELLURIDE, Colo. -- Like the rains after a dusty season, the movies of September wash and refresh. You walk out of a screening here and think you have surely seen an Oscar nominee. You leave a second and third, and think the same thing. The 2006 Academy Awards could be populated from this festival, with Toronto still to begin on Thursday. And that doesn’t even account for the riches of the foreign films, and the revived classics, and the program called “Made on a Mac,” of films by such as Laurie Anderson.

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Telluride #1: Premieres & rarities

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TELLURIDE, Colo. – When I first came to the Telluride Film Festival in 1980, screenings were held in Quonset huts and city parks, the old Nugget theater on Main Street, and in the faded glory of the tiny Sheridan Opera House, built when this was a boom town in mining days. The 2005 festival, which will be held over Labor Day weekend, still uses the opera house, but has added so many state-of-the-art theaters, some of them constructed inside the old Mason's Hall and the school gyms, that it feels like the most happening art movie town in America.

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Telluride focuses on '28 classics, guest favorites

TELLURIDE, Colo. For its 25th anniversary celebration, which more or less coincides with the first century of film, the Telluride Film Festival is plunging gleefully into the past. Although there's the usual selection of premieres, at least half of the screenings this year are retrospectives: a look at 1928, the last great year of silent film; personal selections from the festival's guest programmers over the years, and a salute to black-and-white cinematography.

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