The plot opts for cop-out sentimentality and begins to melt into goo.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
I made a mistake this week. I followed a link from a discussion among reputable movie critics to a showbiz gossip blog that I usually find too sleazy to visit. There I once again found all manner of bilious items that creeped me out and reminded me why I shouldn't go there. One of them insulted a late, internationally renowned film critic for choosing, on his deathbed, a Howard Hawks western as his favorite movie over another title the gossip prefers. (No doubt the latter feels entitled to express an opinion about what your last meal should be, too.) Another post included the observation that Vince Vaughn "needs to lose 30 pounds. He appeared to be at the tipping point during the 'Couples Retreat' press junket."
As I have so often said, if Cannes ever opens its festival with a 3D animated feature, I'll believe houses can fly. I am a doubter no longer. Cannes 2009 awarded the honor of its opening night, which traditionally goes to a French film, to Pixar's 3D "Up." I would have given anything to be there for the morning press screening, to witness the world's movie critics, festival programmers, cineastes and academics fitting on their XpanD® Series 101 3D Active Glasses, which are, quote, "a stylish, eco-friendly, and completely immersive stereoscopic 3D experience."
Alas, I was not at that screening. Our flight arrival was a day later. But I have had the great pleasure of seeing "Up" in 2D, which is how most people will see it. Faithful readers will know that I don't at all miss seeing the 3D version. All I really miss is seeing the Cannes crowd put on the glasses. At the black tie evening screening, all the top design houses in Paris will have their hand-made gowns and formalwear complemented by the stylish and eco-friendly XpanD® eyewear.