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Jimi: All Is by My Side

What’s fascinating about “Jimi: All Is By My Side” is not only its decision to show us this particular chapter in Hendrix’s life, but also…

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The Boxtrolls

"The Boxtrolls" is a beautiful example of the potential in LAIKA's stop-motion approach, and the images onscreen are tactile and layered. But, as always, it's…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Repeatable pleasures

"Barry Lyndon": Let's begin again...

Some great (and maybe not-so-great) movies reward repeated viewings; others you may savor only once or twice. The newly redesigned Slate.com has asked several movie people what movies they've seen most often. (On my own personal list: I never tire of the crackling artistic life in "Nashville," "Chinatown," "Citizen Kane," "E.T.," "North By Northwest," "Trouble in Paradise," "Fight Club," "Donnie Darko," "Double Indemnity," "Stranger Than Paradise," "Stop Making Sense"... Then there's "Animal Crackers," any Buster Keaton movie [but especially "Our Hospitality," "Sherlock Jr." and "Steamboat Bill Jr."], "Waiting for Guffman," "Dazed and Confused," "Boogie Nights" -- oh, and "Kids in the Hall: Brain Candy," an unheralded comedy masterpiece...)

Among the choices in Slate's "The Movies I've Seen the Most":

Writer-director Paul Schrader (author of the indispensible book of film criticism, "Ozu Bresson Dreyer"): Robert Bresson's "Pickpocket." (Duh -- he's used the ending twice in his own movies, "American Gigolo" and "Light Sleeper.")

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Telluride & the triumph of 'Overlord'

TELLURIDE, Colo. -- The most remarkable discovery at this year's Telluride Film Festival is "Overlord," an elegiac 1975 film that follows the journey of one young British soldier to the beaches of Normandy. The film, directed by Stuart Cooper, won the Silver Bear at Berlin -- but sank quickly from view after a limited release and was all but forgotten until this Telluride revival.

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