Trashy, goofy, and surprisingly sincere, this superhero fantasy is better than you expect but not as good as it should be.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Marie writes: Recently, a fellow artist and friend sent me the following photos featuring amazing glass mosaics. She didn't know who the artists were however - and which set me off on a journey to find out! I confess, the stairs currently continue to thwart me and thus remain a mystery, but I did uncover who created the "glass bottle doorway" and was surprised to learn both its location and the inspiration behind it. (click image.)
"The Coen brothers may have chosen wisely, however, in choosing 'No Country for Old Men' to film. It's filmable. I don't know if audiences could endure 'Blood Meridian' if it were filmed faithfully. As for 'Suttree,' imagine 'Huckleberry Finn' crossed with 'Under the Volcano.'" -- Roger Ebert
Cormac McCarthy is the new Jane Austen. His "No Country for Old Men," which read to me like a Coen brothers' piece just waiting to be shot, has indeed been made into a film by Joel and Ethan Coen, and it blew away the critics at the 2007 Cannes Film Festival. The twisting tones -- dark humor, elegiac wistfulness, manic violence -- suggest an ideal match of literary and cinematic sensibilities.
"Blood Meridian" is set to be directed by Ridley Scott. I share Roger's apprehension about what a "faithful" adaptation would be like, but Scott -- the man who prettified the West so cloyingly in "Thelma and Louise" -- seems like the wrong man for the job, whether the goal is to make an authentic movie version or even a glossy, ersatz one. (I think Scott shot his wad after "The Duellists," "Alien" and "Blade Runner," and should have returned to his strong suit, directing perfume commercials.)
And Variety has reported that McCarthy's most recent novel, the 2007 Pulitzer Prize-winner "The Road," is to be adapted by Joe Penhall ("Enduring Love") and directed by John Hillcoat ("The Proposition," which some critics compared to McCarthy).