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American Sniper

American Sniper proves the dictum “never count an auteur out” by proving itself as Eastwood’s strongest directorial effort since 2009's underrated Invictus pretty much right…

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The Interview

Opportunities at rich satire flatten out into Hangover dude-dope-doodoo jokes, where the premise is that there’s nothing funnier than watching over-privileged grown men act out…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#16 June 23, 2010

From the Grand Poobah: Club members Gerardo and Monica Valero from Mexico City went to see the David Letterman Show a few years ago and informed him of something that is discussed on the air...

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Cannes #5: Luster & its lack

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CANNES, France – There are entries that have been liked and even loved, but the 2006 Cannes Film Festival reaches its halfway mark looking like a fairly lackluster year. Only Pedro Almodovar’s “Volver,” a high-spirited memory inspired by his childhood in La Mancha, has been embraced by critics and audiences. “Volver” means “to return,” and resembles in its exuberant nostalgia Fellini’s “Amarcord” (“I Remember”).

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Moore takes top award for 'Fahrenheit 9/11'

CANNES, France -- Michael Moore's "Fahrenheit 9/11," a documentary denouncing the presidency of George W. Bush, won the Palme d'Or here Saturday night as the best film in the Cannes Film Festival. It was the first documentary to take the Palme since 1956, and was a popular winner; at its official screening it received what the festival director said was the longest ovation in Cannes history.

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