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Panahi’s latest act of defiance is entirely commendable on a number of levels, but I regret to say that from my own perspective, Taxi is…



Cassel’s latest movie that smartly keeps his innate menace on a slow, low simmer, isn’t nearly as convincing or compelling as its star.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…


Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Dan Dailey's long journey into night: Memories of a song-and-dance man


The roar of the greasepaint, the smell of the crowd, Anthony Newley called it, and after the final curtain call of "The Odd Couple," backstage, all Dan Dailey wanted to do was get out of his makeup and into a dressing gown. This night was to be an occasion, the birthday of Joe Jamrog, an understudy who had just played Murray the Cop, and there was a pot of coffee and a birthday cake in one of the dressing rooms.

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