American Fable is ambitious, maybe too much so sometimes, but there's an intense pleasure in the boldness of the film's style.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
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TORONTO -- Flora Cross is a beautiful young girl and a wise old soul. She has a gravity about her. By that I do not mean that she is sad, but that she weighs matters, considers what they are, and says what she thinks. That is a rare quality in anyone. Flora Cross is 12.
TORONTO – At the halfway point of the 2005 Toronto Film Festival, one thing is clear: This is the best autumn movie season in memory. One film after another has been astonishingly good. Critics gathered in the hallways after the Varsity press screenings, talking in hushed tones as if witnesses to a miracle.
TORONTO – Is the Toronto Film Festival the most important in the world, or does it only seem that way? In recent years I’ve described it as second only to Cannes. Now the Toronto critic Liam Lacey says flatly: “Toronto now has the most important film festival in the world -- the largest, the most influential, the most inclusive.” Yes, you say, but he is a Canadian, so of course he thinks that. Lacey is ready for you: “One reason the Toronto festival has probably not received its full recognition is, frankly, because it takes place in Canada.”
TELLURIDE, Colo. -- Like the rains after a dusty season, the movies of September wash and refresh. You walk out of a screening here and think you have surely seen an Oscar nominee. You leave a second and third, and think the same thing. The 2006 Academy Awards could be populated from this festival, with Toronto still to begin on Thursday. And that doesn’t even account for the riches of the foreign films, and the revived classics, and the program called “Made on a Mac,” of films by such as Laurie Anderson.