Tsai Ming-Liang's first feature in five years is a mysterious and alienating series of tableaus about the fragility of flesh and the smallness of humanity.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
An epic essay on an epic comedy of the 1960s, now given deluxe treatment on Blu-ray and DVD by Criterion.
Marie writes: Behold the entryway to the Institut Océanographique in Paris; and what might just be the most awesome sculpture to adorn an archway in the history of sculptures and archways. Photo @ pinterest
(click to enlarge.)
This week, in a review of the film represented by the still above, I got to mention Buddy Hackett. Perhaps you will see why. Also, I found the opportunity to work in references to Don Knotts, Franklin Pangborn, Jerry Lewis, M. Emmet Walsh, Roman Polanski's "Fearless Vampire Killers, or Pardon Me But Your Teeth Are in My Neck" (aka "Dance of the Vampires"), the Three Stooges and "No Country for Old Men."
What is this movie, you say? Well, take a look here.
The cliche is: In the 1950s in America, we were all a little like Ozzie and Harriet. In the decadent 1990s, we're descending into armageddon. Gary Ross' new film "Pleasantville" argues the opposite: In the 1950s we were leading blinkered lives, but it's been steady progress ever since, into today's society where change is seen as an opportunity, not a threat.