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The Magnificent Seven

Rarely have so many charismatic actors been used in a film that feels quite as soulless as Antoine Fuqua’s update of The Magnificent Seven.

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The Age of Shadows

At 140 minutes, Kim sometimes loses the rhythm of his spy thriller, but he's such a confident filmmaker—and his leading man such a magnetic presence—that…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Sundance #8: 'Forty Shades of Blue'

May Contain Spoilers

PARK CITY, Utah--I saw 27 films at Sundance this year, but of course I missed all the screenings of Ira Sachs' "Forty Shades of Blue," which won the Grand Jury Prize for best dramatic feature. I had a chance to catch up, though; the festival showed it again Saturday night after the awards were (finally) over, and I found myself impressed, but more by the performances than by the story or direction. Miranda July's "Me and You and Everyone We Know" remains, for me, the best film of the festival.

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