The multiple twists, double-crosses and leaps in logic are more likely to prompt giggles than gasps, despite the impressive production values and the earnest efforts…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
PARK CITY, Utah--I saw 27 films at Sundance this year, but of course I missed all the screenings of Ira Sachs' "Forty Shades of Blue," which won the Grand Jury Prize for best dramatic feature. I had a chance to catch up, though; the festival showed it again Saturday night after the awards were (finally) over, and I found myself impressed, but more by the performances than by the story or direction. Miranda July's "Me and You and Everyone We Know" remains, for me, the best film of the festival.