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A Letter to Momo

Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…

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Cannibal

Visually striking and confident but frustratingly hollow in terms of character and narrative.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

How Not to Write About Film

The Real World: Atlanta.

The New York Times Book Review wastes nearly four pages on the dumbest, most banal crap about (ostensibly) movies and movie criticism that I have ever come across. It's called "How to Write About Film" and it's an attempted review by Clive James of the Philip Lopate compilation of film criticism that was published a few months ago, called "American Movie Critics: An Anthology From the Silents Until Now."

What's really puzzling about this drivel is that James not only doesn't know what the auteur theory is, he doesn't know what movie criticism is -- and he hasn't a clue what movies are, either. I find it difficult to believe he's ever seen one. Or, at least, a whole one. And no matter what projected images may have passed before his eyes, it's mighty obvious he hasn't seen anything at all.

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