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A Letter to Momo

Even scenes that work, such as a climax on a rain-soaked bridge, feel like they could have been trimmed by a few hand-drawn frames. Maybe…

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Cannibal

Visually striking and confident but frustratingly hollow in terms of character and narrative.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Cannes #7: Odds and sods

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CANNES, France -- In this festival of smooth, mannered style, what a jolt to encounter "The Three Burials of Melquiades Estrada," directed by Tommy Lee Jones. Here is a film as direct as a haymaker, a morality play where you don't need a dictionary.

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A continent speaks for itself

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TORONTO -- Anant Singh opened his first video store in Durban, South Africa, when it was still illegal for a nonwhite to own a store in a whites-only area. Mark Bamford and Suzanne Kay moved from Los Angeles to South Africa four years ago to make movies. For many years, their interracial marriage would have been against the law there. Darrell James Roodt started making anti-apartheid films in the early 1980s, when he had to work in secret. His producer was Anant Singh, who used profits from his video stores to back films he could not legally make. Leleti Khumalo, who is 33, spent the first 23 years of her life living under apartheid. Her father died when she was 3. Her mother worked as a domestic, raising her four children in a home with a bed as its single piece of furniture.

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