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How to Be a Latin Lover

Eugenio Derbez’s attempt to seduce U.S. audiences with a cheesy bilingual spoof of an ethnic stereotype long past its expiration date.

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Sleight

An ambitious genre mash-up about a young street magician that pulls off a nifty bit of trickery itself.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Don't move. I want to move. Don't move.

When Sydney Pollack was making "Out of Africa" in 1985, he considered the problem of how to film Meryl Streep and Robert Redford in love scenes that were not explicit, yet were erotic. "When I have Streep and Redford together," he told me, "I don't want to see them strip naked and writhe around in bed together. The challenge was to find love scenes that would have emotion and passion and yet not violate a certain place where we want to see them. There are two really sensual love scenes. One of them is the undressing scene. I always like scenes like that. I think they're sexy. I tried to make a sort of passionate dance out of them undressing each other. The second scene consists of three absolutely terrific lines I took out of a screenplay that was written in 1973 when Nicholas Roeg was going to direct this project. It's only three lines, but what lines: "Don't move. I want to move. Don't move."

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