The Transporter Refueled
The Transporter Refueled is an unnecessary bore from start to finish, one that even the most devoted Luc Besson fanatics will find difficult to defend.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Picks for the best of the 2013-14 television season, in the form of a Dream Emmy ballot.
Marie writes: It's no secret that most Corporations are evil - or at the very least, suck big time. And while I have no actual proof, I'm fairly certain there is a special level of Dante's Hell reserved just for them. (Map of Dante's Hell.)That being the case, when my younger brother Paul wrote me about a cool project sponsored by Volkswagen, I was understandably wary and ready to denounce it sight-unseen as self-serving Corporate shyte. As luck would have it however, I was blessed at birth with curiosity and which got the better of me and why I took a look. For what I found was nothing less than extraordinary....
Marie writes: According to the calendar, summer is now officially over (GASP!) and with its demise comes the first day of school. Not all embrace the occasion, however. Some wrap themselves proudly in capes of defiance and make a break for it - rightly believing that summer isn't over until the last Himalayan Blackberry has been picked and turned into freezer jam!
Marie writes: At long last, after two years of mediocre weather compounded by bad timing, the planets managed to align themselves again in my favor and I was finally able to return to Pender Island and where my tale begins....
Marie writes: Intrepid club member Sandy Kahn has found another auction, and this time it's all about Hollywood! Note: the spaceship on the cover is a screen used miniature from "Aliens" (1986). Estimate: $80,000 - $120,000
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Sunday dawned with a dark and threatening sky and a chill in the air, continuing the dreary weather trend of the past two days. It's a day of heavy-hitters here at Cannes, with two greatly anticipated films by major directors premiering in competition: "Amour" ("Love") by Austrian Michael Haneke in the morning; and "Like Someone in Love" by Iranian Abbas Kiarostami in the evening. Is the weather an omen or just weather? We'll see.
Neither of today's competition films was made in the director's home country. Haneke made "Amour" in France with French stars, but then he has more frequently worked in France in recent years. Kiarostami made his previous feature "Certified Copy" in Italy with an international cast, but "Like Someone in Love" was made in Japan with a French producer, a first for the globe-trotting director.
Michael Haneke has made his reputation on a uniquely transgressive form of cinema. Films, including "The White Ribbon," "The Piano Teacher," and "Funny Games," cross boundaries and break taboos, all the while drawing the audience into complicity with moral compromises and sometimes vile acts. "Amour" represents a new and more gentle and affecting take on that artistic strategy.
In "Amour," veteran French stars Jean-Louis Trintignant ("A Man and a Woman," "My Night with Maud") and Emmanuelle Riva ("Hiroshima Mon Amour") play Georges and Anne, a married couple in their 80s. They are retired music teachers who live in a lovely high-ceilinged apartment, and their comfortable lives are steeped in music and the arts. Their adult daughter Eva (Isabelle Huppert), also a musician, has a busy life of touring with her British husband.
Marie writes: They call it "The Shard" and it's currently rising over London akin to Superman's Fortress of Solitude and dwarfing everything around it, especially St. Paul's in front. I assume those are pigeons flying over-head and not buzzards. Ie: not impressed, but that's me and why I'm glad I saw London before they started to totally ruin it.Known as the "London Bridge Tower" before they changed the name, when completed in 2012, it will be the tallest building in Europe and 45th highest in the world. It's already the second highest free-standing structure in the UK after the Emley Moor transmitting station. The Shard will stand 1,017 ft high and have 72 floors, plus another 15 radiator floors in the roof. It's been designed with an irregular triangular shape from base to top and will be covered entirely in glass. The tower was designed by Renzo Piano, the Italian architect best know for creating Paris's Pompidou Centre of modern art with Richard Rogers, and more recently the New York Times Tower. You can read an article about it at the Guardian. Here's the official website for The Shard. Photograph: Dan Kitwood.