In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

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Nightcrawler

A perfect engine of corrosive satire, this drama follows the adventures of an amoral cameraman to its logical and unsettling end.

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Horns

There are some clever ideas in the script from Keith Bunin, based on the novel by Joe Hill, but they get mixed up in some…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Ebert's Sundance 2005 photo album

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I have been shooting photos at film festivals for about eight years. It's not part of my job description, but I love taking pictures of some of the most famous faces in the world, and regarding their character, beauty and mystery. If the editors include my closeups of Robin Wright Penn and Glenn Close, for example, consider the sculpting in those miraculous faces.

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Wrong movies? These aren't

PARK CITY, Utah I spend a lot of my time at the Sundance Film Festival being told I am at the wrong movie. Think how I felt when "Saving Grace," a comedy set in Cornwall and starring Brenda ("Secrets and Lies") Blethyn made this year's top distribution deal of $4 million, and a local TV station asked me what I thought about it. "Saving who?" I asked.

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Neil LaBute looks at how people are consumed

Neil LaBute's new film doesn't take place in Los Angeles or New York or . . . anywhere in particular. There is not a single outdoor establishing shot anywhere in it. "Yeah," LaBute says. "There's no shot of the apartment building we're about to go into, in case you've forgotten what it looks like."

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