X-Men: Apocalypse is a confused, bloated, mess of a film.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A performance here and there; the fascinating narrative of Perrotta’s; the commentary on how poorly human beings deal with earth-shattering change—there are reasons to watch "The Leftovers" and I’m curious enough to keep going through at least the first season, but lower those expectations that this is the next great 2014 TV drama.
I have been shooting photos at film festivals for about eight years. It's not part of my job description, but I love taking pictures of some of the most famous faces in the world, and regarding their character, beauty and mystery. If the editors include my closeups of Robin Wright Penn and Glenn Close, for example, consider the sculpting in those miraculous faces.
PARK CITY, Utah I spend a lot of my time at the Sundance Film Festival being told I am at the wrong movie. Think how I felt when "Saving Grace," a comedy set in Cornwall and starring Brenda ("Secrets and Lies") Blethyn made this year's top distribution deal of $4 million, and a local TV station asked me what I thought about it. "Saving who?" I asked.
Neil LaBute's new film doesn't take place in Los Angeles or New York or . . . anywhere in particular. There is not a single outdoor establishing shot anywhere in it. "Yeah," LaBute says. "There's no shot of the apartment building we're about to go into, in case you've forgotten what it looks like."