Aloha feels like several films at once, crammed together and sped up, with results that are emotionally hollow and narratively confusing.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
Kyle and Alison Eastwood with their father Clint on a big night out in Cannes.
I've just returned from the official dinner given by the Festival for Clint Eastwood's movie. I felt like Cinderella at the ball. The dinner was held at the swanky Restaurant La Palme d'Or on the Croisette. I wore my long evening gown just like all the French women wear at night. That's usually the last thing you want to do after watching movies all day, and most of the American women journalists skip the gowns, but I am a hybrid this year, not quite journalist and not quite guest. Besides, this was a special evening and I wanted to make a good showing for you.
UPDATED 10/16: Here are brief reviews of all the Chicago Film Festival movies we have seen, in alphabetical order, written by Bill Stamets and Roger Ebert. More will be added as we view them. For a full CIFF schedule, go to www.chicagofilmfestival.com or call (312) 332-FILM.
By Bill Stamets and Roger Ebert
by Roger Ebert
TORONTO, Ont.--It's the Cinderella story of this year's Toronto Film Festival. Girl is born in Chicago, grows up, graduates from college, moves to Minneapolis to join her boyfriend Jonny, who she met on the net. Works in advertising, finds it boring. Starts working as a stripper, doesn't find it boring. Changes her name to Diablo Cody. Starts a blog. Works as a phone sex voice. Writes book, Candy Girl: A Year in the Life of an Unlikely Stripper. Quits the sex biz, marries Jonny, moves to suburbs. His daughter is their flower girl at wedding.