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Lucy

Scarlett Johansson is an intriguing blank in Luc Besson's "Lucy," which is stranded somewhere between a stranger-in-a-strange-land action thriller and apocalyptic science fiction.

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Hercules

Dwayne Johnson tries, but he’s surrounded by poor CGI and a terrible adaptation of yet another comic book. Ian McShane steals what little movie there…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

Ngor Knew Role All Too Well

On the morning of the day when he won the Academy Award, Dr. Haing S. Ngor was a busy man. Just after dawn, outside the Dorothy Chandler Pavilion, he was clicking off TV interviews, one after another: "A.M. Los Angeles," "Good Morning America." The fans in the bleachers, who had waited all night huddled in their sleeping bags, chanted "Haing! Haing!" He waved to them like a kid at his first prom.

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The day Haing S. Ngor won the Oscar

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Los Angeles, California -- Early on the morning of the day that he would win the Academy Award, Dr. Haing S. Ngor found himself in the middle of the annual Oscar media circus. He was sitting in a director’s chair outside the Dorothy Chandler Pavilion, sipping tea under a gloomy sky, trying to ignore the fans in the nearby bleachers, who were chanting his name. He had already been in terviewed for TV stations in Boston and New York, and now he was going to do the “A.M. Los Angeles” program before being followed around all day by a crew from “Good Morning, America.”

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