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The Age of Adaline

Though it's hampered by rather bloodless lead performances, this story of an ageless woman and her two great loves finds its tone in its second…

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Little Boy

It’s meant to be a tale of uplift for faith-based audiences, but instead wears viewers down with a heavy-handed narrative, an overbearing score and voiceover…

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Monsieur Hire

Patrice Leconte's "Monsieur Hire" is a tragedy about loneliness and erotomania, told about two solitary people who have nothing else in common. It involves a…

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Kiss Kiss, Slap Slap!

May Contain Spoilers

When I first started watching "Dynasty", I didn't know what the word 'dynasty' meant. Aaron Spelling's oil-and-soap opera first aired in Poland in July 1990, nine years after its American premiere and a mere year after the fall of the Berlin wall. It was the latter event that had exposed my native land to the consumerist ravishment we all secretly craved. I was eight, the world became new, and even though McDonald's was still stalling, "Dynasty" was here already: airing every Wednesday and gluing the entire nation to its old-type tube screens.

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