A Woman, a Part
A Woman, a Part mixes passion and ambivalence to create a work whose ambiguities seem earned, and lived in
The following table of contents compiles coverage from RogerEbert.com of Cannes 2015, featuring essays by Michał Oleszczyk, contributor to RogerEbert.com. Coverage includes a wonderful piece on an event focused on 4K restorations of films by the Lumière Brothers, a glowing review of the newest film from Pixar, thoughts on the latest from Paolo Sorrentino and a fantastic commentary on the art of queuing at film festivals like Cannes.
A review of the fourth original Marvel series for Netflix. And the worst.
This message came to me from a reader named Peter Svensland. He and a fr...
A celebration of director David Lynch's filmography in anticipation of an upcoming retrospective at the IFC Center in...
A classic thriller that moves with a sense of purpose.