Slick, glossy and radiating juicy villainy, it knows exactly what kind of movie it is and goes for it with giddy abandon.
The following table of contents compiles coverage from RogerEbert.com of Cannes 2015, featuring essays by Michał Oleszczyk, contributor to RogerEbert.com. Coverage includes a wonderful piece on an event focused on 4K restorations of films by the Lumière Brothers, a glowing review of the newest film from Pixar, thoughts on the latest from Paolo Sorrentino and a fantastic commentary on the art of queuing at film festivals like Cannes.
This message came to me from a reader named Peter Svensland. He and a fr...
A review of the "Mystery Science Theater 3000" revival that's now playing on Netflix.