I Lost My Body
A visually sumptuous slice of macabre storytelling that works best when it uses its director’s magical sense of composition and less when it feels weighed…
An Ebert Fellow on her first few days at Sundance.
A Sundance dispatch on two premieres from the back half of this year's festival.
You know how a painting can look totally different depending on the angle from which you're viewing it? The same thing is going to happen with “Velvet Buzzsaw,” and I think that’s exactly how Dan Gilroy wants it.
First impressions of Sundance from an Ebert Fellow.
A review of three documentaries that had their world premieres at the Sundance Film Festival.
On three more competition films from Sundance 2019, including one of the festival's best.
A review of three docs that played the Sundance Film Festival.
A review of two more Midnight movies from Sundance, one great and one not.
A review of two political films from this year's Sundance. One is great, one is not.
A review of three horror films from the Sundance 2019 Film Festival.