In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

Thumb colette poster


Knightley gives one of her best performances as a girl with spirit and talent who becomes a woman with ferocity and a voice

Thumb fahrenheit eleven nine

Fahrenheit 11/9

The messiness of Moore’s film starts to feel appropriate for the times we’re in. With a new issue being debated every day, is it any…

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives


Blood Guts Bullets And Octane


I've had a busy day on the Tarantino beat. First I reviewed a movie named "Go'' that seemed inspired by "Pulp Fiction,'' then I had a cup of coffee, and here I am back at the keyboard reviewing "Blood Guts Bullets & Octane,'' which is so indebted to Q.T.'s kinetic style that it doesn't even pause to put commas in its title. One thing you have to say about the long shadow of "Pulp Fiction'': In a season dominated by movies that end at the senior prom, at least the Q.T. retreads are generally more energetic and inventive, and involve characters over 17.


The story behind "BGB&O'' is an inspiring fable for would-be filmmakers. Its writer-director-editor-star, Joe Carnahan of Sacramento, Calif., shot it in three weeks for less than $8,000 and cheerfully let it be known at the Sundance Film Festival that his cast and crew were paid "partly in Doritos.'' Like Robert Rodriguez' "El Mariachi,'' the bargain price was enough to make a video version for showing to distributors; Lions Gate ponied up a reported $100,000 in post-production sound and transfer work to get the movie into theaters in 35mm.

What Carnahan made for his money is a fabulous calling card: This movie shows that he can direct, can generate momentum even in the face of a problematic story, and knows how to find and cast natural actors, including himself. There is real talent here. The most engaging aspect of the film is its spoken dialogue, which largely involves used car salesmen and seems inspired by David Mamet's realtors in "Glengarry Glen Ross.'' (Consider this line: "The best in this business are, by virtue, fabulous salesmen.'' Using "by virtue'' without explaining by virtue of what is prime Mamet.) The movie opens in a torrent of words, as two desperate used car salesman named Sid and Bob (Carnahan and Dan Leis) try to close a sale while screaming into the phone to a supplier who hasn't delivered the cars he promised. They're going under fast, swamped by the TV ads of their powerful competitor, Mr. Woo (Dan Harlan). Then they're offered $250,000 to simply hang onto a vintage Pontiac Le Mans for two days--to simply park it on their lot.

This is a car with a lot of history. An FBI agent has traced it from South America to California and reckons that 34 dead bodies are associated with it. There's something in its trunk, but the trunk, Sid and Bob discover, is wired to a bomb and can't be opened. The locked trunk functions for much of the movie like the trunk in "Repo Man'' and the briefcases in "Pulp Fiction'' and "Ronin''; it contains the MacGuffin.

Carnahan is nothing if not stylistically open-minded. He uses color, b&w, flash frames, tilt shots, weird points of view, whatever. True to the Q.T. tradition, he also fractures his timeline and moves back and forth between story elements. He ends up with a lot of icing and very little cake, and his ending is an exercise in narrative desperation, but for most of the way, he holds our attention, if not our interest: If he can do this with smoke and mirrors, think what he might accomplish with a real budget.


Popular Blog Posts

"You Were Expecting Someone Else?" Why a Non-White James Bond is the Franchise's Logical Next Step

Not only would Idris Elba make a great James Bond, the franchise has been building towards casting an actor of color ...

Grace and Nature: On Criterion’s Release of The Tree of Life

On the new Criterion release of Terrence Malick's The Tree of Life, which includes a new 50-minute-longer extended cu...

Jonah Hill, Emma Stone Star in Netflix’s Daring, Brilliant Maniac

A review of the phenomenal new Netflix show starring Jonah Hill and Emma Stone.

Who do you read? Good Roger, or Bad Roger?

This message came to me from a reader named Peter Svensland. He and a fr...

Reveal Comments
comments powered by Disqus