Dear Ms.: A Revolution in Print
“Dear Ms.: A Revolution in Print” reminds us that physical media and its place in our homes are vital.
“Dear Ms.: A Revolution in Print” reminds us that physical media and its place in our homes are vital.
It’s stupid fun, done with enough panache that its thin story and sometimes too-glib attitude doesn’t hurt it too much.
Netflix’s slick follow-up to their hit pandemic-era fantasy action film, lacks any sizable reason to be invested in its existence.
“Nautilus” is fun to watch and feels ever so slightly subversive.
Season 3 plays largely the same game as the previous season, with an added dose of tortured pathos.
On balance it’s one of the most buoyant and joyous pieces of television I’ve experienced in years.
A series with no discernible story, character development, or sense of purpose.
It’s a shame that the series seems so intent on burying its lead beneath the rubble of the dying franchise to which she belongs.
“Melrose Place” on the seas.
The seriousness of this season has transformed the show for good.
It’s a shame “Echo Valley” never quite finds its footing until the end because it has so many promising qualities.
The series buckles under the weight of the novel it’s adapted from, shackling Biel to its restrictive formula and unfolding like a dull book you desperately want to put down.
It’s a film that reminds you how much silly plotting you’ll accept as long as you’re laughing.
It’s really the cast that helps elevate “Revival,” particularly Scrofano, who carries the entire piece on her resolute shoulders.
There are Easter eggs for franchise-lovers aplenty, but this anthology stands mightily on its own.
“Stick” embraces clever and snappy, sitcom banter while serving up a cocktail of sports comedy and warm-hearted dramatic beats.
What’s new on Netflix! Alfred Hitchcock, Ben Affleck, Led Zeppelin, and LEGOs!
Armstrong’s version of tech-bro bantering is a lot more literate and zingy than actual tech-bro bantering would be, otherwise the picture would be rather a bore.
Maclean’s execution frequently makes up for his distracting habit of both over- and underthinking certain key concepts.