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Jurassic World: Fallen Kingdom

This is a movie that’s annoying in part because it doesn’t care if you’re annoyed by it. It doesn’t need you, the individual viewer, to…

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The Catcher Was a Spy

Paul Rudd plays against type, though not effectively, in this true story of a baseball catcher who was also an OSS agent.

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Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

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Stone Reader

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It was 20 years ago that Oliver Stone fired "Platoon" straight at the heart of American myths about the war in Vietnam, and scored a direct hit. The film won the Oscar for Best Picture of 1986, Stone won for directing, and a spectacular directorial career was launched. Previously, Stone had written the screenplays for the Alan Parker-directed "Midnight Express" (for which Stone won his first Oscar) and "Scarface," directed by Brian De Palma. He'd directed a horror film called "The Hand" in 1981, but with the one-two punch of "Salvador" and "Platoon" in 1986, Stone scored a big impression.

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Oliver Stone concludes his Vietnam trilogy

LOS ANGELES -- "Here is a woman," Oliver Stone said, "who goes through the entire roulette wheel of experience. She hits every ticket on the wheel. She's a rich man's mistress, she's a peasant, she's a traitor, she's a spy, she's a beggar on the street, she's a Vietnamese prostitute, she's an American housewife, she's a businesswoman, she has three different children with three different men."

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