
Traffik
There isn’t an honest moment in all 96 minutes of Traffik.
There isn’t an honest moment in all 96 minutes of Traffik.
William Friedkin, the director of "The Exorcist," documents what might be a real-life exorcism.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A closer look at the 13 reviews by Roger Ebert chosen for the front page today to mark the anniversary of Roger's passing and the…
A collection of memories from fans of Roger Ebert.
A new video essay explores the uncanny durability of "Invasion of the Body Snatchers"
Starring Dwayne Johnson and other giant creatures.
Some directors are all about the visual symbolism, but Forman was more of a people-watcher.
After all these years it’s hard for me to say if “Earthquake” is either a guilty pleasure or a movie so bad that it’s good.
A report on the second day of Ebertfest, which included a massive critic's panel and three very special films.
The latest on Blu-ray and DVD, including Phantom Thread, Molly's Game, and The Commuter.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
The NSA plans to reopen the public vetting process for cybersecurity standards; "12 Years a Slave" and the dangers of early Oscar predictions; Disney's new app allows moviegoers to interact with movies while watching them (sigh); our computers are atrophying our brains; "Endless Love" author Scott Spencer on how his novel become a really bad movie (twice); the final moments of Winnie the Pooh; students demonstrate against random drug testing.
Q. In your review of "Enough", you wrote "The day when the evil husband is black and the self-defense instructor is white will not arrive in our lifetimes." "Enough" was certainly reprehensible on most levels, and I am not defending its honor--but would you not have reacted even more negatively towards it if the husband was black and those two characters were white (and the screenplay remained the same)? Wouldn't you have said that the movie reinforces a stereotype that black men are violent and the white heroine has to seek help from other whites to escape him? Wouldn't a movie like that be even more racist? (Michael Lynderery, Toronto ON)