
A Hidden Life
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
It’s one of the year’s best and most distinctive movies, though sure to be divisive, even alienating for some viewers, in the manner of nearly…
Bombshell is both light on its feet and a punch in the gut.
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
An article about the screening of Horace Jenkins' "Cane River" on Friday, November 1st, at the Academy Film Archive in Los Angeles.
Scout Tafoya's video essay series about maligned masterpieces celebrates Steven Soderbergh's Solaris.
An article about today's noon premiere of a new movie about architect Benjamin Marshall at the Gene Siskel Film Center.
An FFC on Gavin Hood's Official Secrets.
A celebration of Yasujiro Ozu, as written by a Far Flung Correspondent from Egypt.
A tribute to the Oscar nominated character actor, Danny Aiello.
Our contributors share their Top 10 lists for the best films of 2019.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A look at the career of Willem Dafoe.
Walter Chaw revisits Oliver Stone's 1981 horror film "The Hand" and explores the director's fascination with nightmares and the uncanny.
A recap of Roger Ebert's 16th Annual Film Festival.
A complete guide to the 16th Annual Roger Ebert's Film Festival.
Here is the full schedule for Ebertfest 2014.
It was 20 years ago that Oliver Stone fired "Platoon" straight at the heart of American myths about the war in Vietnam, and scored a direct hit. The film won the Oscar for Best Picture of 1986, Stone won for directing, and a spectacular directorial career was launched. Previously, Stone had written the screenplays for the Alan Parker-directed "Midnight Express" (for which Stone won his first Oscar) and "Scarface," directed by Brian De Palma. He'd directed a horror film called "The Hand" in 1981, but with the one-two punch of "Salvador" and "Platoon" in 1986, Stone scored a big impression.
After seeing Steven Spielberg's "Minority Report," my mind was churning with amazement and curiosity. Talking to Spielberg and his star, Tom Cruise, I found myself not an interviewer but simply a moviegoer, talking the way you do when you walk out of a movie that blindsides you with its brilliance.
Q. Help me settle something. If Writer A and Writer B both wrote their opinions on a film--both with diligence and pride in their work--what difference in the two pieces would identify Writer A as a Film Critic and Writer B as someone just offering an opinion? Take the weekly feature you see in some papers, where kids review films. At what point do they cross the line, and can be called Critics as opposed to Reviewers? Is there some sort of certification program, like taking the Sally Struthers correspondence course in gun repair? (Andy Ihnatko, Westwood, Mass.)
Q. This year several actors seem to be potential Oscar nominees for more than one film, including Anthony Hopkins, Daniel Day-Lewis, Debra Winger, Tommy Lee Jones, Denzel Washington, Clint Eastwood and Emma Thompson. What happens if they split their votes between two movies? For example, could Hopkins get enough total votes for "Shadowlands" and "The Remains Of The Day" to be nominated, but get shut out because they are divided? (Ronnie Barzell, Chicago)
LOS ANGELES -- "Here is a woman," Oliver Stone said, "who goes through the entire roulette wheel of experience. She hits every ticket on the wheel. She's a rich man's mistress, she's a peasant, she's a traitor, she's a spy, she's a beggar on the street, she's a Vietnamese prostitute, she's an American housewife, she's a businesswoman, she has three different children with three different men."
HAMMOND, Ind. -- The courtroom in Hammond's City Hall looks like your typical courtroom. Or then again, maybe it doesn't. A motto on the wall behind the bench reads:
Ebert's Best Film Lists1967 - present