John Mortimer

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Ebert Club

#71 July 13, 2011

Marie writes: Once upon a time when I was little, I spent an afternoon playing "Winne the Pooh" outside. I took my toys into the backyard and aided by a extraordinary one-of-a-kind custom-built device requiring no batteries (aka: artistic imagination) pretended that I was playing with my pals - Winnie the Pooh and Tigger too - and that there was honey nearby; the bumble bees buzzing in the flowerbeds, only too happy to participate in the illusion. And although it didn't have a door, we too had a tree - very much like the one you see and from which hung a tire. A happy memory that, and which came flooding back upon catching sight of these - the animation backgrounds from the new Winnie the Pooh; thank God I was born when I was. :-)

(click to enlarge images)

Interviews

'Dear Frankie': Mortimer rides a wave of roles

CANNES, France -- Suddenly I am aware of Emily Mortimer. I of course must have seen her in "Scream 3" (2000), but she made no impression. She was in "Notting Hill" (1999), but went unmentioned in my review. Then in "Lovely & Amazing" (2001) she had a scene of astonishing bravery in a film that was, yes, lovely and amazing. And then in the last few months have come "A Foreign Affair" (2003), "Young Adam" and now "Dear Frankie," which is a great success in the Un Certain Regard section of this year's Cannes festival.