Try as she might, Zellweger’s Judy never goes beyond an impression of the multi-talented artist; her all-caps version of acting failing to allow the role…
Dolemite is My Name is a typical biopic buoyed by its unrelenting hilarity, its affection for its subject and commitment to the time and place…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois…
An article about the inclusion of Sojourner Truth on Central Park's suffragette statue.
An article about the second annual Ebert Symposium, "Creating an Inclusive Cinema and Media Ecosystem," scheduled for Friday, September 27th at the University of Illinois…
Scout Tafoya celebrates Mike Leigh's Peterloo in his latest video essay about maligned masterpieces.
A reappreciation of a Billy Wilder classic.
FFC Seongyong Cho looks back at Alan J. Pakula's twisty thriller Presumed Innocent.
An essay on the Elaine May film A New Leaf, as excerpted from the latest issue of Bright Wall/Dark Room.
As a boy in Mexico City whose parents struggled to get by, the United States carried such magical connotation in my imagination.
Honey, I Shrunk the Kids (1989)
—
Ron Thompson
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
