In Memoriam 1942 – 2013 “Roger Ebert loved movies.”

RogerEbert.com

Thumb favourite ver2

The Favourite

The Favourite is simply awe-inspiring in the way it harbors serious themes and anxieties about womanhood underneath a deceptively feather-light surface.

Thumb welcome home poster

Welcome Home

This dark thriller about mistrust in a relationship is a great ending in search of a great movie.

Other Reviews
Review Archives
Thumb xbepftvyieurxopaxyzgtgtkwgw

Ballad of Narayama

"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…

Other Reviews
Great Movie Archives
Other Articles
Blog Archives

Cast and Crew

* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.

#66 June 8, 2011

Marie writes: the ability to explore an image in 360 degrees is nothing new, but that doesn't make these pictures any less cool. In the first of a series, the Observer's architecture critic Rowan Moore introduces spectacular interactive 360-degree panoramic photographs of Britain's architectural wonders. "You are put in the middle of a space, and using your computer mouse or dragging your iPad screen - you can look in any direction you choose: up, down, sideways, diagonally, in any direction in full 360 degree turn, in three dimensions."

Go here to explore St Paul's Cathedral, London, built 1675-1711.

Continue reading →

Ebert's Sundance 2005 photo album

Primary eb20050130filmfestivals0550123001ar

I have been shooting photos at film festivals for about eight years. It's not part of my job description, but I love taking pictures of some of the most famous faces in the world, and regarding their character, beauty and mystery. If the editors include my closeups of Robin Wright Penn and Glenn Close, for example, consider the sculpting in those miraculous faces.

Continue reading →

The Best 10 Movies of 2002

It was a year when more movies opened than during any other year in memory. A year when the big Hollywood studios cast their lot with franchises, formulas, sequels, and movies marketed for narrow demographic groups--focusing so much on "product" instead of original work that they seemed likely to be shut out of the Oscars, as they were essentially shut out of the Golden Globes. A year when independent and foreign films showed extraordinary vitality. A wonderful year, that is, for moviegoers who chose carefully, and a mediocre year for those took their chances at the multiplex.

Continue reading →