The Favourite
The Favourite is simply awe-inspiring in the way it harbors serious themes and anxieties about womanhood underneath a deceptively feather-light surface.
Donnie Wahlberg
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Zookeeper (2011)
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Shane
Roger Ebert -
Marilyn Hotchkiss' Ballroom Dancing and Charm School (2006)
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Randall Ipswitch
Roger Ebert -
Annapolis (2006)
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Lt. Cmdr. Burton
Roger Ebert -
Diamond Men (2002)
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Bobby Walker
Roger Ebert -
The Sixth Sense (1999)
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Vincent Gray
Roger Ebert
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
#66 June 8, 2011
Marie writes: the ability to explore an image in 360 degrees is nothing new, but that doesn't make these pictures any less cool. In the first of a series, the Observer's architecture critic Rowan Moore introduces spectacular interactive 360-degree panoramic photographs of Britain's architectural wonders. "You are put in the middle of a space, and using your computer mouse or dragging your iPad screen - you can look in any direction you choose: up, down, sideways, diagonally, in any direction in full 360 degree turn, in three dimensions."
Go here to explore St Paul's Cathedral, London, built 1675-1711.
#63 May 18, 2011
Marie writes: you've all heard of Banksy. But do you know about JR...?(click to enlarge image)
#37 November 17, 2010
The Grand Poobah writes: "be there or be square...."(click to enlarge)
Ebert's Sundance 2005 photo album
I have been shooting photos at film festivals for about eight years. It's not part of my job description, but I love taking pictures of some of the most famous faces in the world, and regarding their character, beauty and mystery. If the editors include my closeups of Robin Wright Penn and Glenn Close, for example, consider the sculpting in those miraculous faces.
The Best 10 Movies of 2002
It was a year when more movies opened than during any other year in memory. A year when the big Hollywood studios cast their lot with franchises, formulas, sequels, and movies marketed for narrow demographic groups--focusing so much on "product" instead of original work that they seemed likely to be shut out of the Oscars, as they were essentially shut out of the Golden Globes. A year when independent and foreign films showed extraordinary vitality. A wonderful year, that is, for moviegoers who chose carefully, and a mediocre year for those took their chances at the multiplex.
