The Favourite is simply awe-inspiring in the way it harbors serious themes and anxieties about womanhood underneath a deceptively feather-light surface.
Creed II falls victim to the sins of sequelitis—it’s bigger, louder and more grandiose than its predecessor—yet manages to right itself by not losing focus…
Roger Ebert on James Ivory's "Howards End".
"The Ballad of Narayama" is a Japanese film of great beauty and elegant artifice, telling a story of startling cruelty. What a space it opens…
A wish list in honor of my birthday. #birthdaywishlist
An article about the 41st Mill Valley Film Festival honoring USC Annenberg associate professor Stacy L. Smith and devoting 45% of its lineup to films…
Nostalgic but not sentimental, Jonah Hill's directorial debut is a hard-edged drama, made in the style of films from the era it depicts.
A short film by RogerEbert.com contributor Sam Fragoso.
The first episode of TNT's “I Am the Night” made its world premiere at AFI FEST on Friday afternoon at the Egyptian Theatre in Hollywood.
One of our Far Flung Correspondents talks about why the election of Jair Bolsonaro would be a disaster for Brazil.
An interview with RaMell Ross, director of the award-winning documentary Hale County This Morning, This Evening.
An essay on the legacy of Twilight and how the critical response to it matters to how we talk about hit franchises.
Camelot (1967)
—
Sir Dinadin
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
HOLLYWOOD - "The mustard! Watch the blasted mustard!"
