Zombieland: Double Tap
The vast majority of sequels are unnecessary, but Zombieland: Double Tap feels particularly so, especially coming out a decade after the original.
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
by Roger Ebert
TORONTO, Ont. -- I don’t know when I’ve heard a standing ovation so long, loud and warm as the one after Jason Reitman’s “Juno,” which I predict will become quickly beloved when it opens at Christmas time, and win a best actress nomination for its 20- year old star, Ellen Page.
TORONTO, Ont. -- And now the ecstasy and madness begins. The 32nd Toronto Film Festival opens Thursday with no fewer than 15 films, and that’s before it gets up to speed. The Trail Mix Brigade is armed with their knapsacks, bottled water, instant snacks, text messengers and a determination to see, who knows, six, seven, eight films a day.
Q. Have they started serving alcohol at press screenings in your neck of the woods? I ask because I'm a reviewer in Canada, and perhaps we could ask for the same courtesy here; it would help with movies like "Flightplan." This is one of the most ridiculous movies I've seen this year. It doesn't even make sense before the drop into Steven Seagal territory in the last act. No one has seen the daughter, or anyone leading her away? As "Mad TV's" Marvin Tikvah would say: Come on! More importantly, how could anyone be sure she would be on that plane at that time? Nicolas Lacroix, Quebec City
PARK CITY, Utah -- There's a man named Andrew Wagner who lives in the same condo where I'm staying at Sundance. At least, I think he does, although he seems to spend a great deal of his time hanging around outside the door. Three times I have encountered him there, and heard his pitch for "The Talent Given Us," the movie he has directed in this year's Sundance festival.