A heartfelt but scattershot documentary that tries to get inside the mind of Donald Trump's America, but mainly succeeds as a snapshot of the 2016…
* This filmography is not intended to be a comprehensive list of this artist’s work. Instead it reflects the films this person has been involved with that have been reviewed on this site.
A tribute to the late Arthur Hiller, director of classics that include "The Americanization of Emily," "Love Story," "The In-Laws."
Read Ebert's tribute to Gene Siskel, who died ten years ago, here.
Q. Does the character of Rose (as the old woman) die in her sleep at the end of "Titanic?" I've asked a few people who saw the movie, and none of them had that interpretation, but most agree once I've outlined it to them. She tells her story for the first time, and returns the necklace to the ocean and Titanic's resting place, completing the circle of her life. Then, we see her asleep in bed, after the camera slowly moves through her photos, illustrating the full life that she lived. Then, through subjective camera we're welcomed back to the ship, looking new, and greeted by passengers who died when the ship went down. Then she has a big reunion kiss with Jack. Was this just a dream? Or does this scene represent her being welcomed by her fellow shipmates, who have been dead for decades, and her finally joining them? Is this the obvious interpretation, or was it purposely left vague? (Scott Hoenig, Washington, DC)
Q. Apparently there is a new movie coming out named "An Alan Smithee Film," written by Joe Eszterhas and directed by Arthur Hiller, and it has led to a lot of publicity about "Alan Smithee" and his checkered career. What is your favorite Alan Smithee film? (Casey Anderson, Schaumberg)
Q. Ever since my wife and I saw "Big Night," we have been wondering where the restaurant in the movie is located. We know it's
Q. Re: Richard Corliss' review in Time, where he accused the Coen brothers of making fun of Minnesotans in their movie "Fargo." As a 23-year resident of the Coen brothers' home town, it was crystal clear to me that their portrayal of Minnesota culture was derived from their love of it, not to make fun of it. Not that it wasn't hilarious. When Marge was standing out in the field saying "this execution-type thing" probably wasn't committed by "anyone from Brainerd," the 900 people who packed the Uptown Theater in Minneapolis for last Saturday's 4:30 p.m. show laughed longer and louder than I'd ever heard from a movie audience in this state. Maybe Corliss should stop making judgments about who's making fun of whom when he has no clue about the sense of humor he's critiquing. (Seymour Uranowitz, St. Louis Park, Minn.)